Publicación: Relatos digitales museológicos en la comunicación social de la ciencia Estrategias narrativas innovadoras para salvaguardar el patrimonio de los museos capitalinos
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To a large extent, museums have always committed themselves to conserving and protecting everything that keeps history and that in turn generates a collective identity, in order to spread knowledge to future generations. At the same time, museology is directly and indirectly related to heritage, since cultural heritage is determined by material, immaterial and natural wealth that somehow transmits social and cultural value that tends to change over time. On the other hand, the phenomenon of innovation appears in the 19th century, which emphasized the creation of new ideas, starting from the use of three-dimensional technologies and applications that have contributed in a didactic way to education, giving way to social alterations. However, this was very popular with people and also met the needs of the environment. And by the twentieth century, innovation brought digital narratives as modern ways of communicating. These new narratives began to occur in North America and began to expand throughout the rest of the world. Hence the transmedia narratives that relate to the narration of content through different platforms and digital and multimedia formats that focus on the content that circulates through different physical or digital means of communication, these two are divided by a line very thin. This narrative journey, appears in the 21st century media narration, which opened the field to original technological and modern ways of telling stories in order to transmit knowledge, this is called Satorytelling. The main sections of this document are museology, cultural heritage, innovation and digital narratives; All these elements complement each other forming a consecutive order that fulfills the main purpose of this research that is based on museology and digital innovation in the museums of Bogota D.C.