Publicación: Música, discurso y subjetividad
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This research aimed at the analysis of the signifiers that a subject incorporates in his discourse about the musical genre Reggaetón, for which an open and in-depth interview was conducted with an admiring subject of this musical genre. This reading is analyzed from the psychoanalytic theory mainly from the approaches of Lacan. The results of this research exercise showed in the discourse of the subject the signifiers referring to Love and eroticism, which are part of the establishment of the link with the Other. It was evidenced that in the relationship with this Other, it initially occurs in the loving bond with the mother and then transcends the bond with the feminine. As for eroticism is perceived in relation to the so-called symbolic body, provided by the speech, that eroticism as a formula of the existence of the body, sustained in the signifiers, achieving a connection with the real body, giving way to enjoyment, seen as satisfaction of the invoking drive of musical language. That is to say, music is constituted in the language of the subject, allowing the existence of the Other and the generation of the link with that Other.